All articles by Niels Henriksen

Exquisite Corpses

Henrik Olesen’s exhibitions in New York constitute a self-critical exploration of his own methods, pitting Uptown against Downtown like Michelangelo’s David against a gob of spittle.

Recently published

The Dog and Its Vomit

The world becomes so depressingly flat when there’s no difference between a face and a selfie. But how do we keep reality from being swallowed by its image, and art from being swallowed by reality?