Having first fired warning shots against protesters, military police in Rio de Janeiro suddenly changed their tack and let the grieving crowds into the ruins of the National Museum.
The poster exhibition Between the Lines at the Oslo Academy of Fine Art fights misuse of power in the art world. Also, a Facebook group urges the Norwegian art scene to share its #metoo stories.
The seminar Humans of the Institution in Amsterdam was a rare space of reflection for freelance curators working across the globe.
Is the virtual synonymous with the digital? Myths of the Marble at Henie Onstad Kunstsenter, argues otherwise. Kunstkritikk spoke with the curators before tonight’s opening.
Miriam Cahn summons real and timely struggles in a powerful show composed in the language of dreams.
The exhibition featuring Goodiepal’s collection is also a retrospective of ‘Goodiepal’ the phenomenon, which is also a school, a band, and a refugee organisation.
Artists Máret Ánne Sara, Anders Sunna and Pauliina Feodoroff will represent Sápmi at the 2022 Venice Biennale.
To professor of critical theory Juliane Rebentisch, contemporary art is mainly an academic problem.
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