Auctions of Arctic lands and thousands of letters from government authorities are among the works on view in The Sámi Pavilion in Venice.
For artist Simona Barbera, sound has come to be more about its consequences.
Having first fired warning shots against protesters, military police in Rio de Janeiro suddenly changed their tack and let the grieving crowds into the ruins of the National Museum.
The poster exhibition Between the Lines at the Oslo Academy of Fine Art fights misuse of power in the art world. Also, a Facebook group urges the Norwegian art scene to share its #metoo stories.
The seminar Humans of the Institution in Amsterdam was a rare space of reflection for freelance curators working across the globe.
Is the virtual synonymous with the digital? Myths of the Marble at Henie Onstad Kunstsenter, argues otherwise. Kunstkritikk spoke with the curators before tonight’s opening.
Suddenly, you know someone in Oslo who has started a new centre for contemporary art in Lusaka.
‘There is no doubt that she painted some of the works included in the Temple series’, says Daniel Birnbaum, editor of a new book about Swedish artist Anna Cassel.
The Iron Throne is vacant. Hardly any Norwegian artists have solo shows at the major museums, and everyone worries about sustainability.
This year’s first opening night in Copenhagen whetted our appetite for more. The season’s dictates are British 90s art, French 80s sculpture, and Georgian folk painting. Oh, and Arken is rebranding.
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