For artist Simona Barbera, sound has come to be more about its consequences.
Having first fired warning shots against protesters, military police in Rio de Janeiro suddenly changed their tack and let the grieving crowds into the ruins of the National Museum.
The poster exhibition Between the Lines at the Oslo Academy of Fine Art fights misuse of power in the art world. Also, a Facebook group urges the Norwegian art scene to share its #metoo stories.
The seminar Humans of the Institution in Amsterdam was a rare space of reflection for freelance curators working across the globe.
Is the virtual synonymous with the digital? Myths of the Marble at Henie Onstad Kunstsenter, argues otherwise. Kunstkritikk spoke with the curators before tonight’s opening.
‘If I were forced to name an upside of the pandemic, it has been that it gave us time to reflect on and re-evaluate what we do’, says Sara Berner Bengtsson, new Managing Director of the Nordic art fair.
In Lytle Shaw’s New Grounds for Dutch Landscape the materialist turn is transformed into an art historical account of everyday ongoingness and the ground beneath our feet.
Some words around what it meant when Cecilia Bjartmar Hylta abstracted the act of masturbation into a large vibrating dildo wall. Or, why we feel sick making art.
Jacob Fabricius and Lars Bang Larsen will become joint directors of Art Hub Copenhagen.
Kunstkritikk is supported by
