Having first fired warning shots against protesters, military police in Rio de Janeiro suddenly changed their tack and let the grieving crowds into the ruins of the National Museum.
The poster exhibition Between the Lines at the Oslo Academy of Fine Art fights misuse of power in the art world. Also, a Facebook group urges the Norwegian art scene to share its #metoo stories.
The seminar Humans of the Institution in Amsterdam was a rare space of reflection for freelance curators working across the globe.
Is the virtual synonymous with the digital? Myths of the Marble at Henie Onstad Kunstsenter, argues otherwise. Kunstkritikk spoke with the curators before tonight’s opening.
In the 2010s, Norwegian cultural politics began the deliberate disassembly of a functioning system under the pretence of having something to replace it with.
In his day, Erling Viksjø, architect of the Oslo Government District, was called a “bulldozer” and an “enemy of culture.” Today, his own legacy is facing demolition.
Set against an iconic cinematic backdrop depicting the streets of New York, the Frieze Los Angeles art fair has every opportunity to juggle with the artificial, the commercial, the superficial – and Hollywood.
During the 2010s it has become apparent that the fascination of the archive can not be separated from the ideology of the digital data base.
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