Having first fired warning shots against protesters, military police in Rio de Janeiro suddenly changed their tack and let the grieving crowds into the ruins of the National Museum.
The poster exhibition Between the Lines at the Oslo Academy of Fine Art fights misuse of power in the art world. Also, a Facebook group urges the Norwegian art scene to share its #metoo stories.
The seminar Humans of the Institution in Amsterdam was a rare space of reflection for freelance curators working across the globe.
Is the virtual synonymous with the digital? Myths of the Marble at Henie Onstad Kunstsenter, argues otherwise. Kunstkritikk spoke with the curators before tonight’s opening.
How can a film be a landscape? This is at the core of Swedish artist John Skoog’s first feature-length film, showcased at the CPH:DOX festival opening today.
Tiril Hasselknippe’s brew of blissful neo-materialism and banal video game aesthetics is just the right amount of a good thing, i.e. too much.
The father of modern curating, Harald Szeeman, is memorialised at Castello di Rivoli in Turin with a lavish presentation of obsessive archiving and a hint of kitsch.
Debates on cultural politics in Denmark and Sweden, a five-year programme of art in public space in Oslo, and three Nordic artists represented in the Venice Biennial main exhibition.
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